The Locus+ Archive (incorporating material from the Basement Group and Projects UK) hosted at the University of Sunderland currently has two PhD posts affiliated to it and is the largest archive of time-based work in Europe. It forms a comprehensive historical overview of contemporary art practice from the early '70s to the present, covering artists' projects from a variety of British and international contexts. Here is a snapshot of the projects that have been digitized to date.

1995 Ian Breakwell, Hidden Cities

Artist’s performance in the form of a lecture presenting an alternative history of Durham. Firstly on board the Prince Bishop river cruiser, then from the main pulpit in Durham Cathedral, where the artist gave a reading from ‘In The Cathedral’, the penultimate chapter of Kafka’s novel The Trial.

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Hidden Cities

1995 Daniel J. Martinez, How To Con A Capitalist

Street performance, interrogating assumptions of public space and cultural hierarchy.

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How To Con A Capitalist

1995 Stefan Gec, Natural History

Six large black and white photographic portraits of the first six firemen who died trying to contain the fire within the nuclear reactor at Chernobyl.

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Natural History

1995 Philip Napier, Sovereign

A videotape and video installation produced during a residency by Belfast artist Philip Napier in Vancouver, Canada.

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Sovereign

1995 Alan Moore, The Birth Caul

A performance monologue by comic book writer Alan Moore, in collaboration with composer David J (of pop group Bauhaus) and musician Tim Perkins.

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The Birth Caul