The Locus+ Archive (incorporating material from the Basement Group and Projects UK) hosted at the University of Sunderland currently has two PhD posts affiliated to it and is the largest archive of time-based work in Europe. It forms a comprehensive historical overview of contemporary art practice from the early '70s to the present, covering artists' projects from a variety of British and international contexts. Here is a snapshot of the projects that have been digitized to date.

2006 Ant Macari, All about the Benjamins

A commission for the Locus+ Christmas card 2006

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All about the Benjamins

2006 Graham Gussin, Illumination Rig

A site-specific installation using film-lights to illuminate urban non-spaces, in particular the locations where architectural styles clash

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Illumination Rig

2006 Matt Stokes, Sacred Selections

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Sacred Selections

2005 Layla Curtis, Polar Wandering

A web-based project that recorded the three-month journey the artist made to and from Antarctica.

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Polar Wandering

2005 Layla Curtis, NewcastleGateshead

NewcastleGateshead is a collaged map compiled from regional namesakes taken from city maps worldwide. In the form of a generic folded map, the collage mimics the existing, familiar structure of NewcastleGateshead.

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2005 Elizabeth Wright, Space Travel

A sequence of 115 images of the interior of car parks reproduced on large light-reflective panels viewable through the Metro carriage as it passes through the tunnel.

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Space Travel

2005 Chris Burden, Ghost Ship

Ghost Ship involved the construction and development of a crewless, self-navigating sailing boat, which undertook its maiden voyage between Fair Isle, Scotland and Newcastle upon Tyne. Audiences were able to track the boats progress via a live, daily updated website.

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Ghost Ship

2005 Stepanka Stein & Salim Issa, Ordinary Living

Artist residency and collaboration with IPRN University of Sunderland

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Ordinary Living

2004 Janice Kerbel, Underwood (Christmas letter)

A letter composed by Janice Kerbel using a typeface based on that of a typewriter manipulated by the artist.

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Underwood (Christmas letter)

2004 Natalie Jeremijenko & Eugene Thacker, Creative Biotechnology: a user's manual

Publication and on-line work, documenting and discussing research and issues surrounding Biotech Hobbyism funded by the Wellcome Trust. Launched: 15.09.04 Artists Space, New York and 22.09.04 Henry Wellcome Building for Neuroecology, University of Newcastle upon Tyne.

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Creative Biotechnology: a user's manual