The Locus+ Archive (incorporating material from the Basement Group and Projects UK) hosted at the University of Sunderland currently has two PhD posts affiliated to it and is the largest archive of time-based work in Europe. It forms a comprehensive historical overview of contemporary art practice from the early '70s to the present, covering artists' projects from a variety of British and international contexts. Here is a snapshot of the projects that have been digitized to date.

The Cinema of Machines, 1996 Steve Farrer

The Cinema of Machines, explored both the history of cinema and the artist's own history

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The Cinema of Machines

The Joint's Jumping, 1996 Richard Wilson

A proposal for the Baltic Flour Mill in Gateshead prior to the opening of the Baltic Centre for Contemporary Art.

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The Joint's Jumping

Nach Chernobyl, 1996 Cornelia Hesse-Honegger

In 1986 Hesse-Honegger began to document the effects of the fallout from the Chernobyl disaster in the Ukraine, making studies of insects affected by the radiation plume that spread across Europe.

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Nach Chernobyl

Buoy, 1996 Stefan Gec

A fully operational ocean-going buoy fabricated by recasting the steel from the artist's previous project Trace Elements (1990)

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Buoy

Fragmens sur les Institutions Republicaines IV, 1996 Shane Cullen

The work consists of ninety-six large tablet like panels onto which the artist has transcribed meticulously in paint the contents of numerous 'Comms'; the written communications smuggled in and out of H-Blocks during the hunger strikes.

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Fragmens sur les Institutions Republicaines IV

The Birth Caul, 1995 Alan Moore

A performance monologue by comic book writer Alan Moore, in collaboration with composer David J (of pop group Bauhaus) and musician Tim Perkins.

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The Birth Caul

Sovereign, 1995 Philip Napier

A videotape and video installation produced during a residency by Belfast artist Philip Napier in Vancouver, Canada.

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Sovereign

Hidden Cities, 1995 Ian Breakwell

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Hidden Cities

Natural History, 1995 Stefan Gec

Six large black and white photographic portraits of the first six firemen who died trying to contain the fire within the nuclear reactor at Chernobyl.

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Natural History

How To Con A Capitalist, 1995 Daniel J. Martinez

Street performance, interrogating assumptions of public space and cultural hierarchy.

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How To Con A Capitalist